WW Norton — $22.95 (less 20%)
Go, Went, Gone is the masterful new novel by the acclaimed German writer Jenny Erpenbeck, “one of the most significant German-language novelists of her generation” (The Millions). The novel tells the tale of Richard, a retired classics professor who lives in Berlin. His wife has died, and he lives a routine existence until one day he spies some African refugees staging a hunger strike in Alexanderplatz. Curiosity turns to compassion and an inner transformation, as he visits their shelter, interviews them, and becomes embroiled in their harrowing fates. Go, Went, Gone is a scathing indictment of Western policy toward the European refugee crisis, but also a touching portrait of a man who finds he has more in common with the Africans than he realizes. Exquisitely translated by Susan Bernofsky, Go, Went, Gone addresses one of the most pivotal issues of our time, facing it head-on in a voice that is both nostalgic and frightening.
Newlyweds Celestial and Roy are the embodiment of both the American Dream and the New South. He is a young executive, and she is an artist on the brink of an exciting career. But as they settle into the routine of their life together, they are ripped apart by circumstances neither could have imagined. Roy is arrested and sentenced to twelve years for a crime Celestial knows he didn’t commit. Though fiercely independent, Celestial finds herself bereft and unmoored, taking comfort in Andre, her childhood friend, and best man at their wedding. As Roy’s time in prison passes, she is unable to hold on to the love that has been her center. After five years, Roy’s conviction is suddenly overturned, and he returns to Atlanta ready to resume their life together.
This stirring love story is a profoundly insightful look into the hearts and minds of three people who are at once bound and separated by forces beyond their control. An American Marriage is a masterpiece of storytelling, an intimate look deep into the souls of people who must reckon with the past while moving forward–with hope and pain–into the future.
The definitive collection of essays and reportage written during the past thirty years from one of most provocative and widely read writers–with new commentary by the author.
For more than thirty years, Martin Amis has turned his keen intellect and unrivaled prose loose on an astonishing range of topics–politics, sports, celebrity, America, and, of course, literature. Now, at last, these incomparable essays have been gathered together. Here is Amis at the 2011 GOP Iowa Caucus, where, squeezed between “windbreakers and woolly hats,” he pores over The Ron Paul Family Cookbookand laments the absence of “our Banquo,” Herman Cain. He writes about finally confronting the effects of aging on his athletic prowess. He revisits, time and time again, the worlds of Bellow and Nabokov, his “twin peaks,” masters who have obsessed and inspired him. Brilliant, incisive, and savagely funny, The Rub of Time is a vital addition to any Amis fan’s bookshelf, and the perfect primer for readers discovering his fierce and tremendous talents for the first time.
How much joy can a person tolerate? How many kinds of boredom make up a life? Who owns the story of black America? Should Justin Bieber be more like Socrates? And why is there a dead art collector floating in the swimming pool?
Dazzlingly insightful, explosively funny and ever-timely, Zadie Smith is back with a second unmissable collection of essays. From German Old Masters to the new masters of East Coast rap, from social networks opening lines of communication to national referenda closing doors, Feel Free reaches out in all directions and draws back a rich feast of ideas. Here pop culture, high culture, social change and political debate all get the Zadie Smith treatment: dissected with razor-sharp intellect, set brilliantly against the context of the utterly contemporary, and considered with a deep humanity and compassion.
With the easy intimacy of a local and the piercing clarity of an outsider, Feel Free casts a sharp critical eye over the creative luminaries that have shaped our world: from J. G. Ballard to Karl Ove Knausgaard, Orson Welles to Charlie Kaufman, Joni Mitchell to Beyonce, and far beyond. And it considers the points of contact where the author herself meets this world, where the political meets the personal and critique meets memoir. This electrifying new collection showcases Zadie Smith as a true literary powerhouse, demonstrating once again her credentials as an essential voice of her generation.